How well does the platform perform for fiction writers?
I started publishing stories on Medium back in February of this year. So far, I’m pleased with my time as a Medium writer. I thought it was time to reflect on some of my experiences. If you’re considering publishing your work on Medium, you may find these observations useful.
I see myself primarily as a writer of prose fiction, with occasional memoirs and essays thrown into the mix. I’m a minority writer on Medium, therefore, and inevitably limiting my readership.
Readership is heavily genre-dependent
Factual pieces seem to get the most traffic. If you write how-to articles about starting a business or making money, opinion pieces about feminism or sexuality, commentary on current affairs, you’ll be tapping into Medium’s core readership and, with persistently good writing, could build a steady readership.
As I mentioned in last week’s post, ‘An Odd Sort of a Job’, I write fiction as part of my work as an educational writer. It’s mostly basic stuff: little stories and dialogues, as a vehicle for teaching English or German.
It follows that I’m not inhibited about sharing my creative writing or getting short imaginative pieces published. Still, writing a novel, a novella or even a substantial short story is, as they say, a different kettle of fish.
Over the years, I’ve had a few goes at writing a novel, and I don’t think any of them have got past a single chapter. Probably just as well: they would have been desperately dull.
You see, I was following the standard advice about planning a novel. You’ve read the kind of thing:
First, decide what story you want to tell. Next, envisage your reader … Write a short synopsis / cover blurb … List your major and minor characters … Do background research … Structure your story … Write a chapter plan … etc etc etc
That might work for some writers, but it sure as hell wasn’t working for me.
Here’s my alternative recipe. It seems to be working out (early days!) – maybe you’ll find it helpful too?
It has been another busy couple of months for me on Medium. I’m continuing to learn a lot, engaging with other writers, exploring links with publications and pushing my creative writing in different directions. Here’s a little glimpse of what I’ve been up to.
Music has been a big part of my life for the last six years. It has been a wild and bumpy ride – and not just for me.
Like so many kids of my generation, I left school thinking that I had no musical ability. Music theory just baffled me, and my croaky, deep, unruly singing voice embarrassed me.
I envied my mate Jon, with his electric guitar and his apparently magical ability to understand what the hell our music teacher, the fearsome Mrs Dix, was talking about. (Four beats to a bar? Really? Why?? Who decides where the bar starts and ends? And where’s the four in 3/4 time?)
Later at uni in Kiel, Germany, one of my friends was a competent sax player and I’d tag along to his Dixieland gigs. I loved music, was moved, delighted, captivated by it, but music wasn’t something I was ever going to make. I couldn’t even keep a beat while dancing.
Most of my life I’ve been involved in creative hobbies of one kind or another: drawing, woodcarving, sculpture, ceramics, music – and these days, writing fiction, of course.
Jewellery making is another craft that I wanted to try. A handcrafted piece of jewellery is a small thing, but potent with meaning. All the more so if you make it yourself, or if someone you love makes it for you.
I now have the chance. A new art and craft space has opened up in Drysdale, offering classes and workshops, and one of the artisans is John McAleer, a master jeweller with nearly 40 years’ experience.