Imposter!

Dealing with feelings of inadequacy

It’s just 10 hours before my new storyletter Tall and Tiny Tales goes live with its first episode and podcast.

I think I’ve done my groundwork well: it’s a good concept well-executed, with some strong material … I think. My attempts at promotion have been moderately successful: I have over 60 subscribers on board. That’s not a bad start!

But what if it’s crap?

Will I see my subscribers desert in droves?

Who am I to think that I can reinvent myself as a fiction writer anyway?

Am I making a fool of myself?

Similar thoughts are often at the back of my mind when I try to do something that I haven’t done before.

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Getting Read

My output of stories has been prolific over the past months. Clearly, a world-record series of lockdowns here in Victoria has been good for something!

However, ‘Write it and they will come’ isn’t proving to be a sensible way of getting my writing to readers.

I ruefully recognise that I only started reading some of my favourite contemporary authors after an obituary in the media. That’s a little long-term for this writer. I’d rather be read alive than dead.

So, how to get eyes on pages?

Here are some thoughts:

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Making Sense of Medium

A Medium Noob’s First Faltering Steps

Some background

Writing for fun may seem a ‘busman’s holiday’ for a professional writer. In fact, I’m finding it refreshing – and educational. Which may be ironic, as I’m an educational writer.

In my ‘day job’, I write English coursebooks for 14–19-year-old Austrians and Germans. These are bright kids, interested in the world, and creating content for them gives me occasional scope for literary self-expression. More often it allows me to explore ideas in an essayistic (if that’s even a word) or journalistic manner.

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