For Art’s Sake!

Thoughts about illustrating my stories

One of the many things that two years’ writing on Medium and Substack has gifted me as a writer is a delight in illustrating my stories.

My main interest is adult fiction (interspersed with quasi-factual meanderings like this one). In this field, the word is deemed sufficient. Illustrated stories are for kids — or for magazines. That’s the received wisdom, whether or not we choose to thumb our noses at it.

A lot of it was once simple economics, not any superiority of the printed word over the printed image. Until quite recently, illustrations used to be prohibitively costly to integrate with text. ‘Plates’ were literally etched plates. Full colour required four separate plates, four passes through the printing press, four times the expense of black-and-white. Even black-and-white photos needed to be printed on expensive coated paper and bound in discrete sections (signatures) of the book.

Digital printing technology has freed a lot of that up, but illustrations still add to cost, and fiction readers expect cheap books. Hardly any of the hundreds of novels on my shelves have illustrations integrated with the text.

So — publishing illustrated stories on Medium and Substack is a unique opportunity that I make the most of … in the certain knowledge that none of my illustrations will make it into the print editions I have planned for the last quarter of this year.

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Lake Connewarre

Sketch of a hidden gem

The Bellarine Peninsula juts between Port Phillip Bay and wild Bass Strait like the knobbly head of a monstrous sperm whale, toothy jaws agape.

Our northern shores are nibbled by the choppy waves of Corio Bay and Outer Harbour; our southern beaches are thrashed by the big surf. In the jaws of the whale lies quiet Swan Bay. The chain of sand islands which almost close the mouth are the whale’s teeth.

Under the whale’s chin lies the fearsome Rip. All vessels that enter and leave Port Phillip Bay must run this gauntlet.

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