Thoughts about illustrating my stories
One of the many things that two years’ writing on Medium and Substack has gifted me as a writer is a delight in illustrating my stories.
My main interest is adult fiction (interspersed with quasi-factual meanderings like this one). In this field, the word is deemed sufficient. Illustrated stories are for kids — or for magazines. That’s the received wisdom, whether or not we choose to thumb our noses at it.
A lot of it was once simple economics, not any superiority of the printed word over the printed image. Until quite recently, illustrations used to be prohibitively costly to integrate with text. ‘Plates’ were literally etched plates. Full colour required four separate plates, four passes through the printing press, four times the expense of black-and-white. Even black-and-white photos needed to be printed on expensive coated paper and bound in discrete sections (signatures) of the book.
Digital printing technology has freed a lot of that up, but illustrations still add to cost, and fiction readers expect cheap books. Hardly any of the hundreds of novels on my shelves have illustrations integrated with the text.
So — publishing illustrated stories on Medium and Substack is a unique opportunity that I make the most of … in the certain knowledge that none of my illustrations will make it into the print editions I have planned for the last quarter of this year.
Continue reading “For Art’s Sake!” →
Finding my way in the thicket of advice for new fiction authors
There’s no shortage of advice online for fiction writers. Indeed, rather the opposite.
I see novice writers on Twitter obsessing over whether they are telling when they should, in fact, be #showing? What about adverbs: are we allowed adverbs? How many per paragraph? Does my inciting incident have to come before page 10? Is my writing sufficiently inclusive — but not culturally appropriative? What’s my genre? How many comps do I need for a synopsis? Sex in YA fiction: yes or no? Is 250K words too many for a first novel? Can I write it in the second person, future perfect tense?
There’s nothing wrong with this seeking and proffering of advice. The problem lies in the corollary: sifting, evaluation, often rejection.
Any piece of advice offered to a writer needs to be viewed suspiciously from all angles like an apple in the supermarket. Unlike with the apple, the writer can — must — take a bite, give it a good chew before maybe spitting it out on the figurative floor of the metaphorical Fresh Produce Department. Without the cashier calling Security to deal with a disturbance in Aisle Two.
Continue reading “It’s a Jungle Out There” →
A male writer’s fascination with female perspectives
Fiction writing is — in equal parts — imagination, empathy and transmogrification of lived experience.
The alchemy which turns my leaden autobiography into fictional gold (hopefully) is often a change of viewpoint. It’s the ‘What if?’ which sparks the narrative from the inciting incident.
Very often, I find myself wanting to write fiction from a female perspective. I’ve been told, by female readers whose opinion I value, that I’m good at it. About seventy per cent of my regular readers are female, so I guess I can’t be too lousy.
That’s gratifying praise, but I would be sad if it were unusual. Why should biological sex be a barrier to empathy or imagination? A man who cannot step outside his own ego to consider what a woman might desire in a lover, what she might hope for or fear in life, her insecurities, passions and preoccupations, is a sad specimen of humanity.
We consider it unremarkable that a female author might write a male protagonist well. The converse should also apply. It’s not as if there’s a shortage of study material, in terms of literature by female writers, and — shock! horror! — real live women to converse with.
A teen obsession
One of the great passions of my teenage years — that turbulent time of consuming and confusing passions — was the music of Kate Bush.
Continue reading “The Kick Inside” →
Why do we tell the stories that we tell?
On the occasion of my wife’s birthday, we’re in Melbourne for the week. For the first time since COVID hit our shores, we find ourselves in the CBD with time on our hands.
Suze likes to spend hours poking around markets; I’d sooner stick wasps up my arse, frankly. Luckily, we’re accustomed to giving each other space to do our own thing, rather than approaching every outing as a joint activity.
Fear not: we also have a shared calendar of events with multiple highlights and points of interest and time spent with friends – those who haven’t contracted COVID in the last couple of days. I’m not leaving the poor woman entirely to her own devices on the august occasion of reaching three-score years and ten.
So anyway, this morning, Suze was buying music-themed socks at the Vicky Market (hey, it’s her birthday) and trying to work out the location and name of that pub she went to with the girls that one time that sells Belgian cherry beer: an absorbing task for a woman with scant sense of direction and a love of Kriek.
Continue reading “In search of … what, exactly?” →
Reflections on a first attempt at writing a historical novel
‘The past is a foreign country; they do things differently there.’ L. P. Hartley, The Go-Between, 1953
Out of my comfort zone
I grew up an Englishman on English soil. The past of the land I lived on was my past; I felt, rightly or wrongly, that I understood it intimately, intuitively.
These days, I live on the other side of the world, in a country where, until 1788, there were no Englishmen, other than a tiny number of whalers and sealers at a few points around our continent’s vast coastline — and no Englishwomen at all, as far as is known.
Stolen land, stolen history
The ‘settlement’ of the land that I live on, here in Victoria, began in 1835 with the landing of John Batman and his party.
It’s so close that I feel I can almost reach out and touch it. There are still descendents of the first settlers living on the same land their ancestors took possession of. Let’s not mince words: the land that they stole, with the connivance of the British Crown.
Continue reading “Treading Carefully” →
Launching a Substack storyletter — progress and plans
I decided towards the end of last year that I was going to launch a fiction newsletter on the Substack platform. Tall and Tiny Tales went live on 1 February.
Substack seems to be rather the flavour of the month, although evaluations differ, and some, if I may say so, miss the point entirely. Substack isn’t really a community like Medium. It’s primarily a publishing platform. Your potential readership isn’t other Substackers: it’s anyone who likes to read your genre online. (Truly: forget about other Substackers. Stats on them are irrelevant.) The snag is: you have to do all the publicity for your publication yourself. No friendly algorithms are going to carry your word to the masses.
Continue reading “Telling Tall Tales … and Tiny Ones” →
Dealing with feelings of inadequacy
It’s just 10 hours before my new storyletter Tall and Tiny Tales goes live with its first episode and podcast.
I think I’ve done my groundwork well: it’s a good concept well-executed, with some strong material … I think. My attempts at promotion have been moderately successful: I have over 60 subscribers on board. That’s not a bad start!
But what if it’s crap?
Will I see my subscribers desert in droves?
Who am I to think that I can reinvent myself as a fiction writer anyway?
Am I making a fool of myself?
Similar thoughts are often at the back of my mind when I try to do something that I haven’t done before.
Continue reading “Imposter!” →
Self-promotion doesn’t come naturally to me. I am, after all, British by birth, and my natural inclination is to mumble disparagingly about my accomplishments.
‘I … err … write the odd short story from time to time … Nothing much, and you probably wouldn’t be interested … but if one day you don’t have anything better to do, then maybe … ?’
This is a recipe for not getting read until I am dead. In my obituary I will be hailed as a literary genius and riches will be showered on my bemused heirs. Heirs, I might add, who never showed the faintest interest in a darned thing I wrote …
Meanwhile, in the real world: I’m not a literary genius, but I am a half-decent teller of short stories (laying British modesty aside), and it is something that I enjoy doing.
I’ve come to the conclusion that I enjoy it more, though, if someone actually reads my stuff. If they’re not my wife or my mum and I haven’t had to employ emotional blackmail – bonus points!
Continue reading “Learning by Doing” →
If you’re an indie author like me, you’ll already have made the discovery that ‘Write it and they will come’ does not work. It will never work.
It doesn’t matter how good your writing is: how gripping your plots, relatable your characters, polished your prose. Your writing will languish unread, unless you find ways to get readers to clap eyes on it.
Fortunately I like a challenge, and I like learning new stuff, so this doesn’t bother me much. In the past year, I’ve had more than a few ‘Eureka!’ flashes of inspiration which quickly turned to ‘Meh …’ realisations. I pick myself up, dust myself off and try something else.
… but also I keep doing what I’m doing – constantly refining and trying to do it better. Building an audience requires dedication and commitment. It ain’t gonna happen over night.
Who needs video games to keep them entertained? This stuff is FUN!
Continue reading “Getting the Word Out” →
My output of stories has been prolific over the past months. Clearly, a world-record series of lockdowns here in Victoria has been good for something!
However, ‘Write it and they will come’ isn’t proving to be a sensible way of getting my writing to readers.
I ruefully recognise that I only started reading some of my favourite contemporary authors after an obituary in the media. That’s a little long-term for this writer. I’d rather be read alive than dead.
So, how to get eyes on pages?
Here are some thoughts:
Continue reading “Getting Read” →