For Art’s Sake!

Thoughts about illustrating my stories

One of the many things that two years’ writing on Medium and Substack has gifted me as a writer is a delight in illustrating my stories.

My main interest is adult fiction (interspersed with quasi-factual meanderings like this one). In this field, the word is deemed sufficient. Illustrated stories are for kids — or for magazines. That’s the received wisdom, whether or not we choose to thumb our noses at it.

A lot of it was once simple economics, not any superiority of the printed word over the printed image. Until quite recently, illustrations used to be prohibitively costly to integrate with text. ‘Plates’ were literally etched plates. Full colour required four separate plates, four passes through the printing press, four times the expense of black-and-white. Even black-and-white photos needed to be printed on expensive coated paper and bound in discrete sections (signatures) of the book.

Digital printing technology has freed a lot of that up, but illustrations still add to cost, and fiction readers expect cheap books. Hardly any of the hundreds of novels on my shelves have illustrations integrated with the text.

So — publishing illustrated stories on Medium and Substack is a unique opportunity that I make the most of … in the certain knowledge that none of my illustrations will make it into the print editions I have planned for the last quarter of this year.

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Wood carving

Back in the day, I was a keen amateur sculptor. I was lucky enough to live in Oxford, England, where there is a strong tradition of carving and sculpture going back to the Middle Ages. There was a broad spectrum of adult education classes in the visual arts. I used to take my entire annual leave in Wednesday mornings, so that I could attend life sculpture classes. (Yes, I was still an employee — that’s how long ago it was.)

My favourite medium was wood. It is such a wonderful material for carving. The sculptor has to go with the flow, follow the wood’s infinitely varied nature – a product of its species-specific characteristics and the environment in which it grew as a tree: the cycle of the seasons, flood and drought, heat and frost, trauma from fungal and insect attack, etc.

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Jewellery making

Most of my life I’ve been involved in creative hobbies of one kind or another: drawing, woodcarving, sculpture, ceramics, music – and these days, writing fiction, of course.

Jewellery making is another craft that I wanted to try. A handcrafted piece of jewellery is a small thing, but potent with meaning. All the more so if you make it yourself, or if someone you love makes it for you.

I now have the chance. A new art and craft space has opened up in Drysdale, offering classes and workshops, and one of the artisans is John McAleer, a master jeweller with nearly 40 years’ experience.

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