Learning by Doing

Baby steps in self-promotion

Self-promotion doesn’t come naturally to me. I am, after all, British by birth, and my natural inclination is to mumble disparagingly about my accomplishments.

‘I … err … write the odd short story from time to time … Nothing much, and you probably wouldn’t be interested … but if one day you don’t have anything better to do, then maybe … ?’

This is a recipe for not getting read until I am dead. In my obituary I will be hailed as a literary genius and riches will be showered on my bemused heirs. Heirs, I might add, who never showed the faintest interest in a darned thing I wrote …

Meanwhile, in the real world: I’m not a literary genius, but I am a half-decent teller of short stories (laying British modesty aside), and it is something that I enjoy doing.

I’ve come to the conclusion that I enjoy it more, though, if someone actually reads my stuff. If they’re not my wife or my mum and I haven’t had to employ emotional blackmail – bonus points!

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Getting the Word Out

If you’re an indie author like me, you’ll already have made the discovery that ‘Write it and they will come’ does not work. It will never work.

It doesn’t matter how good your writing is: how gripping your plots, relatable your characters, polished your prose. Your writing will languish unread, unless you find ways to get readers to clap eyes on it.

Fortunately I like a challenge, and I like learning new stuff, so this doesn’t bother me much. In the past year, I’ve had more than a few ‘Eureka!’ flashes of inspiration which quickly turned to ‘Meh …’ realisations. I pick myself up, dust myself off and try something else.

… but also I keep doing what I’m doing – constantly refining and trying to do it better. Building an audience requires dedication and commitment. It ain’t gonna happen over night.

Who needs video games to keep them entertained? This stuff is FUN!

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Old Dogs, New Tricks

Adventures with adult learners

The trouble with being a full-time coursebook writer is that you’re always preparing lessons for others to teach.

With the drawn-out publishing process, there’s about a year’s development from concept to finished work. Even then, the book has to jump through bureaucratic hoops to be approved by the relevant education authorities, before final printing and distribution. By the time you’re actually getting royalties, (usually the only form of feedback you’ll ever get) the work itself may be a distant memory.

It’s all a little … abstract.

That’s why I enjoy opportunities to teach. For me, they’re recreation, not work. They’re also a way of keeping myself grounded.

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The Power of a Change of Place

It has happened again. A couple of days away in our campervan, and I’ve come back with a new tale to tell.

It is not something that actually happened – thankfully – but it was definitely inspired by the place we stayed and what we experienced there. It is a unique tale, then, which would not have been conceived anywhere else.

You’ll have to wait a while to read ‘Badger Hill’, as I’ve submitted it for a competition with my local writers’ group and don’t want to disqualify my entry through conflicting ideas about what constitutes ‘prior publication’.

It’s a little darker than most of my output, although it starts off innocuously enough. A woman receives a minor injury at the end of the first stage of a multi-day hike. At least the campground is idyllic …

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Getting Read

My output of stories has been prolific over the past months. Clearly, a world-record series of lockdowns here in Victoria has been good for something!

However, ‘Write it and they will come’ isn’t proving to be a sensible way of getting my writing to readers.

I ruefully recognise that I only started reading some of my favourite contemporary authors after an obituary in the media. That’s a little long-term for this writer. I’d rather be read alive than dead.

So, how to get eyes on pages?

Here are some thoughts:

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Read All About It!

My fiction on coriobay.blog

Writing fiction is my favourite creative outlet right now. Although I’ve been a professional writer for many years, I’ve only recently started writing stories for my own and others’ entertainment. I wish I’d started sooner, because it’s a lot of fun!

I’m even kicking around the idea of getting together a collection of short stories for formal publication as an anthology. It will have to wait until I’m less busy with the ‘day job’, so probably next year, but it’s something I’d love to do.

I’m slightly daunted by the inevitable but complex question: to self-publish or to seek an agent and a conventional publisher?

In the meantime, while I’m figuring this out, you can find a selection of my stories for free, here on this site. Please have a read and leave a comment.

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Medium: the first 7 months

How well does the platform perform for fiction writers?

I started publishing stories on Medium back in February of this year. So far, I’m pleased with my time as a Medium writer. I thought it was time to reflect on some of my experiences. If you’re considering publishing your work on Medium, you may find these observations useful.

I see myself primarily as a writer of prose fiction, with occasional memoirs and essays thrown into the mix. I’m a minority writer on Medium, therefore, and inevitably limiting my readership.

Readership is heavily genre-dependent

Factual pieces seem to get the most traffic. If you write how-to articles about starting a business or making money, opinion pieces about feminism or sexuality, commentary on current affairs, you’ll be tapping into Medium’s core readership and, with persistently good writing, could build a steady following.

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Breaking Through

Finally getting that first novel(la) down

As I mentioned in last week’s post, ‘An Odd Sort of a Job’, I write fiction as part of my work as an educational writer. It’s mostly basic stuff: little stories and dialogues, as a vehicle for teaching English or German.

It follows that I’m not inhibited about sharing my creative writing or getting short imaginative pieces published. Still, writing a novel, a novella or even a substantial short story is, as they say, a different kettle of fish.

Over the years, I’ve had a few goes at writing a novel, and I don’t think any of them have got past a single chapter. Probably just as well: they would have been desperately dull.

You see, I was following the standard advice about planning a novel. You’ve read the kind of thing:

First, decide what story you want to tell. Next, envisage your reader … Write a short synopsis / cover blurb … List your major and minor characters … Do background research … Structure your story … Write a chapter plan … etc etc etc

That might work for some writers, but it sure as hell wasn’t working for me.

Here’s my alternative recipe. It seems to be working out (early days!) – maybe you’ll find it helpful too?

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An Odd Sort of a Job

Reflections on a quasi-literary livelihood

Often when I write an answer on Quora, it’s out of irritation. I’m a sucker for a trollish question. Usually, I end up wondering ‘Why, Steve? Why??’ as my impassioned answer languishes in a dusty corner of Quora with 0 upvotes.

More rarely, Quora can be a lot of fun. Just often enough to keep me hooked.

Thus I enjoyed answering ‘By describing it badly, what is your job?’ a while back:

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Steve’s stories on Medium, May–June

It has been another busy couple of months for me on Medium. I’m continuing to learn a lot, engaging with other writers, exploring links with publications and pushing my creative writing in different directions. Here’s a little glimpse of what I’ve been up to.

Music

Music has been a big part of my life for the last six years. It has been a wild and bumpy ride – and not just for me.

Pickin’ on the Porch

‘Pickin’ on the Porch’ © Steve Fendt 2021

The cheerfully unrepentant confessions of a neighbourhood nuisance. So sorry, neighbours! (Not sorry!)

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